In the post-World War II period, batik painting, which married the indigenous cloth-making tradition of batik with western painting techniques, was promoted as a key Malayan artistic expression. When Malaya gained independence in 1957, and Malaysia was formed in 1963, artists tackled the concept of ‘nation-building’ from multiple perspectives, each expressing their hopes for the future through batik painting that was seen to represent unity and diversity, tradition and progress.
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